Steps and Stages

I'm honored to be invited once again to be the guest artist at the Ursuline College Art Therapy and Counseling Department /Cuyahoga Community College Pre-Art Therapy Dept. Tenth Annual Exhibit, Lecture and workshop. This year the theme is Simplicity: Creating a Vision of Doing More with Less.

This is 72 x 44" unstretched canvas tapestry is in process. It can be seen in an earlier stage in the last post...included here are a few details.

Lately I've been inspired, in my work, to pare things down. Simplicity and simplifying are concepts that I have embraced, in terms of this artist's lifestyle, for many decades.

Even so I have not often applied the idea to my use of color. I suppose more than anything else I am a colorist. I am intoxicated by rich and layered hues. So I'm experimenting and simplifying the colors within this painting. First using a customary riot of color and then applying layers of glazes to 'fog' or quiet down the color range.

I enjoyed realizing that the planet Neptune, which is often thought of as 'a fog' is coming to kiss my sun for the one and only time in my life and, perhaps as a result, I find myself particularly enamoured these days by all things natural... when seen through a veil of mist...the idea of being cocooned and contained within fog simply thrills me.

There are two other canvas that will be traveling along with this one and hopefully they will be posted in the next few days...in bold contrast.

Thank you so much for any comments you may have regarding this unfolding.
Happy day.

Of The Earth

The woman with the wagon served as a metaphor. She helped me to see how I felt. I studied her. I was drawn to her silent way of moving through the world. No fuss. No muss. Simply focused upon her task. She had a garden. She communed with the earth in a way that no one that I knew had demonstrated. She seemed to have no other life. She was in fact OF THE EARTH. As a young artist learning to calm down and listen to my inner voice I knew instinctively that I could benefit from this.

Back indoors at my work table I would insert bones giving the figure a necessary armature to be able to 'stand up' to the world. I would sometimes turn the drawings around in my mind's eye, looking in reverse, in order to train my eye to see from all directions.

The two drawings done in pencil...one from life on newsprint the other in the studio on vellum. 1973.